• complete works
  
  
• vocal works
  
  
• symphonic music
  
  • symphonies
    
  • concertos
    
  • ballets
    
  • film music
    
  • stage music
    
  • suites
    
  • other orchestral works
    
  
  
• chamber music
  
  
• transcriptions and orchestrations

Symphonic music

 

• Symphony No.1 in F minor, op.10 (1923-25)
  
  
• Symphony No.2 in B major, op.14 (1927)
  "To October - a Symphonic Dedication"
  for full orchestra and chorus; text: Aleksandr Bezymensky.
  
  
• Symphony No.3 in E flat major, "The First of May", op.20 (1929)
  for symphony orchestra with chorus; text (Russian) by Semyon Kirsanov
  Reduction for voices and piano by the composer.
  
  
• Symphony No. 4 in C minor, op. 43 (1935-36)
  Reduction for two pianos by the composer (1936)
  
  
• Symphony No. 5 in D minor, op.47 (1937)
  Reduction of the Scherzo for piano by the composer.
  
  
• Symphony No. 6 in B minor, op.54 (1939)
  
  
• Symphony No. 7 in C major, ("Dedicated to the city of Leningrad"), op.60 (1941)
  Reduction for piano by the composer
  
  
• Symphony No. 8 in C minor, op.65 (1943)
  
  
• Symphony No. 9 in E flat major, op.70 (1945)
  
  
• Symphony No. 10 in E minor, op.93 (1953)
  Reduction for piano four hands by the composer.
  
  
• Symphony No. 11 in G minor, "The Year 1905" , op.103 (1957)
  Reduction for piano four hands by the composer.
  
  
• Symphony No. 12 in D minor, "The Year 1917" , op.112 (1960-61)
  Reduction for piano four hands by the composer.
  
  
• Symphony No. 13 in B flat minor, "Babi Yar" , op.113 (1962)
  Symphony for bass soloist, bass choir, and full orchestra, to settings of Yevgeni Yevtushenko's poems.
  Reduction for piano four hands by the composer.
  
  
• Symphony No. 14, op.135 (1969)
  Symphonic song cycle for soprano and bass soloists, string orchestra, and percussion, to texts in Russian translations of Federico García Lorca, Guillaume Apollinaire, and Rainer Maria Rilke, and the original Russian of William Küchelbecker.
  
  
• Symphony No. 15 in A major, op.141 (1971)
  Reduction for two pianos by the composer;
  Symphony No. 15 - Chamber version, op.141a (1972): arranged for violin, cello, piano/celesta, and percussion by Viktor Derevianko and Mark Pekarsky.
  
  

• Piano Concerto No. 1 in C minor, op.35 (1933)
  for piano, trumpet and strings
  
  
• Violin Concerto No. 1 in A minor, op.77 (1947-48)
  
  
• Piano Concerto No. 2 in F major, op.102 (1957)
  
  
• Cello Concerto No. 1 in E flat major, op.107 (1959)
  
  
• Cello Concerto No. 2 in G major, op.126 (1966)
  
  
• Violin Concerto No. 2 in C sharp minor, op.129 (1967)
  
  

• The Golden Age, op.22 (1929-30)
  Ballet in 3 acts with libretto by Aleksandr Ivanovsky
  Suite from 'The Golden Age', op.22a
  
  
• The Bolt, op.27 (1930-31)
  Ballet in 3 acts, with libretto by Vladimir Smirnov
  Suite from 'The Bolt', op.27a (1931)
  
  
• The Limpid Stream, op.39 (1934-35)
  Ballet in 3 acts, with libretto by Fyodor Lopukhov and Adrian Piotrovsky
  Suite from 'The Limpid Stream', op.39a (1945)
  
  

• Het nieuwe Babylon, op.18 (1928-29)
  Muziek bij de stomme film 'Het nieuwe Babylon'; regie: G. Kozintsev en L. Trauberg.
  
  
• Alleen, op.26 (1930-31)
  Muziek bij de film Alleen; regie: G. Kozintsev en L. Trauberg.
  
  
• Gouden bergen, op.30 (1931)
  Muziek bij de film Gouden bergen; regie: S. Joetkjevitsj.
  Suite uit de filmmuziek 'Gouden bergen', op.30a
  
  
• Het tegenplan, op.33 (1932)
  Muziek voor de film Het tegenplan; regie: F. Ermler en S. Joetkjevitsj.
  
  
• Het sprookje van de Pope en zijn knecht Balda, op.36 (1933-34)
  Muziek voor een tekenfilm naar het sprookje van Aleksander Poesjkin. De film, onder regie van M. Tsjechanovski, werd niet voltooid.
  
  
• New Babylon, op.18 (1928-29)
  Music for the silent film New Babylon, directed by Grigori Kozintsev and Leonid Trauberg.
  
  
• Alone, op.26 (1930-31)
  Music for the film Alone, directed by Grigori Kozintsev and Leonid Trauberg.
  
  
• The Golden Mountains, op.30 (1931)
  Music for the film The Golden Mountains, directed by Sergei Yutkevich.
  Suite from 'The Golden Mountains', op.30a
  
  
• Counterplan, op.33 (1932)
  Music for the film Counterplan, directed by Fridrikh Ermler and Sergei Yutkevich.
  
  
• The Tale of a Priest and His Servant Balda, op.36 (1933-34)
  Music for a cartoon after the fairy story by Aleksandr Pushkin. The film, directed by Mikhail Tsekhanovsky, was not completed.
  
  
• Love and Hate, op.38 (1934)
  Music for the film Love and Hate, directed by Albert Gendelshtein.
  
  
• The Youth of Maxim, op.41(I) (1934-35)
  Music for the first film in the 'Maxim Trilogy', The Youth of Maxim, directed by Grigori Kozintsev and Leonid Trauberg.
  
  
• The Girl Friends, op.41(II) (1934-35)
  Music for the film the Girl Friends, directed by Leo Arnshtam.
  
  
• The Return of Maxim, op.45 (1936-370
  Music for the second film in the 'Maxim Trilogy', The Return of Maxim, directed by Grigori Kozintsev and Leonid Trauberg.
  
  
• Volochayevka Days, op.48 (1936-37)
  Music for the film Volochayevka Days, directed by Georgi and Sergei Vasiliev.
  
  
• The Vyborg Side, op.50 (1938)
  Music for the final film in the 'Maxim Trilogy', The Vyborg Side, directed by Grigori Kozintsev and Leonid Trauberg.
  Suite from music for the 'Maxim Trilogy', op.50a, assembled by Lev Atovmyan in 1961.
  
  
• The Friends, op.51 (1938)
  Music for the film The Friends, directed by Leo Arnshtam.
  
  
• The Great Citizen (Series 1), op.52 (1937)
  Music for part one of the film The Great Citizen, directed by Fridrikh Ermler.
  
  
• The Man with a Gun, op.53 (1938)
  Music for the film The Man with a Gun, directed by Sergei Yutkevich.
  
  
• The Great Citizen (Series 2), op.55 (1938-39)
  Music for part two of the film The Great Citizen, directed by Fridrikh Ermler.
  
  
• The Silly Little Mouse, op.56 (1939)
  Music for a cartoon film, based on the children's fairy story The Tale of the Stupid Mouse by Samuil Marshak, directed by Mikhail Tsekhanovsky.
  
  
• The adventures of Korzinkina, op.59 (1940)
  Music for the film The adventures of Korzinkina, directed by Klementi Mints.
  
  
• Zoya, op.64 (1943-44)
  Music for the film Zoya, directed by B. Chirskov and Leo Arnshtam.
  Suite from 'Zoya', op.64a
  
  
• Simple Folk, op.71 (1945)
  Music for the film Simple Folk, directed by Grigori Kozintsev and Leonid Trauberg.
  
  
• The Young Guard, op.75 (1947-48)
  Music for the film, after Aleksandr Fadeyev's novel 'The Young Guard', directed by Sergei Gerasimov.
  Suite from 'The Young Guard', op.75a, assembled by Lev Atovmyan in 1951.
  
  
• Pirogov, op.76 (1947)
  Music for the film Pirogov, directed by Grigori Kozintsev.
  Suite from 'Pirogov', op.76a, assembled by Lev Atovmyan in 1951.
  
  
• Michurin, op.78 (1948)
  Music for the film 'Michurin', directed by Aleksandr Dovzhenko.
  Suite from 'Michurin', op.78a, assembled by Lev Atovmyan in 1964.
  
  
• The Meeting on the Elbe, op.80 (1948)
  Music for the film 'The Meeting on the Elbe', directed by Grigori Aleksandrov.
  Suite from 'The Meeting on the Elbe', op.80a.
  
  
• The Fall of Berlin, op.82 (1949)
  Music for the film 'The Fall of Berlin', directed by Mikhail Chiaureli.
  Suite from 'The Fall of Berlin', op.82a, assembled by Lev Atovmyan in 1949.
  
  
• Belinsky, op.85 (1950)
  Music for the film 'Belinsky', directed by Grigori Kozintsev.
  Suite from 'Belinsky', op.85a, assembled by Lev Atovmyan in 1960.
  
  
• The Unforgettable Year 1919, op.89 (1951)
  Music for the film 'The Unforgettable Year 1919', directed by Mikhail Chiaureli.
  Suite from 'The Unforgettable Year 1919', op.89a, assembled by Lev Atovmyan in 1954.
  
  
• Song of the Great Rivers, op.95 (1954)
  or Unity
  Music for the documentary film 'Song of the Great Rivers', directed by Joris Ivens.
  
  
• The Gadfly, op.97 (1955)
  Music for the film, based on the novel 'The Gadfly' by Ethel Lilian Voynich, directed by Aleksandr Faintsimmer.
  Suite from 'The Gadfly', op.97a, assembled by Lev Atovmyan in 1955.
  
  
• The First Echelon, op.99 (1955-56)
  Music for the film 'The First Echelon', directed by Mikhail Kalatozov.
  Suite from 'The First Echelon', op.99a
  
  
• Five Days, Five Nights, op.111 (1960)
  Music for the film 'Five Days, Five Nights', directed by Leo Arnshtam.
  Suite from 'Five Days, Five Nights', op.111a, assembled by Lev Atovmyan in 1961.
  
  
• Hamlet, op.116 (1963-64)
  Music for the film of William Shakespeare's tragedy 'Hamlet', directed by Grigori Kozintsev.
  Suite from 'Hamlet', op.116a, assembled by Lev Atovmyan in 1964.
  
  
• A Year as Long as a Lifetime, op.120 (1965)
  Music for the film 'A Year as Long as a Lifetime', directed by Grigori Roshal.
  Suite from 'A Year as Long as a Lifetime', op.120a, assembled by Lev Atovmyan in 1969.
  
  
• Sofya Perovskaya, op.132 (1967)
  Music for the film 'Sofya Perovskaya', directed by Leo Arnshtam.
  
  
• King Lear, op.137 (1970)
  Music for the film of William Shakespeare's play 'King Lear', directed by Grigori Kozintsev.
  
  

• The Bedbug, op.19 (1929)
  Music to the comedy 'The Bedbug' by Vladimir Mayakovsky.
  Reduction for voices and piano by the composer.
  
  
• The Shot, op.24 (1929)
  Music to a verse play comedy 'The Shot' by Aleksandr Bezymensky.
  
  
• Virgin Land, op.25 (1930)
  Music to a stage play drama 'Soil' by Arkadi Korbenko and Nikolai Lvov.
  
  
• Rule, Britannia!, op.28 (1931)
  Music to the stage play 'Rule, Britannia!' by Adrian Piotrovsky.
  
  
• Conditionally Killed or Hypothetically Murdered, op.31 (1931)
  Music for a three-act stage revue 'Conditionally Killed' by Vsevolod Voevodin and Yevgeni Ryss.
  Reduction for piano by the composer;
  Suite from 'Conditionally Killed', op.31a
  
  
• Hamlet, op.32 (1931-32)
  Music to a stage production of William Shakespeare's tragedy 'Hamlet'.
  Suite from 'Hamlet', op.32a (1932)
  
  
• The Human Comedy, op.37 (1933-34)
  Music to a play by Pavel Sukhotin, adapted from 'Comédie Humaine' by Honoré de Balzac.
  
  
• Salute to Spain, op.44 (1936)
  Music to the play 'Salute to Spain' by Aleksandr Afinogenov.
  
  
• King Lear, op.58a (1940)
  Music to Grigori Kozintsev's stage production of William Shakespeare's tragedy 'King Lear'.
  
  
• Native Leningrad, op.63 (1942)
  Music for the concert play 'Native Country' for tenor and bass soloists, choir, and orchestra.
  
  
• Russian River, op.66 (1944)
  Music for the stage spectacle 'Russian River', for choir and orchestra. Scenario by Iosif Dobrovolsky, M. Volpin and Nikolai Erdman.
  
  
• Victorious Spring, op.72 (1945)
  Music for the concert spectacle 'Vicorious Spring', for soprano and tenor soloists, choir and orchestra.
  1. Song of the Lantern
  2. Lullaby
  3. Song of Victory
  The first two songs are settings of lyrics by Mikhail Svetlov, and the third by Yevgeni Dolmatovsky.
  Two Songs
  Reductions of No.1 and No.2 for voice and piano by the composer.
  
  

• Suite from 'The Golden Age', op.22a
  
  
• Suite from 'The Bolt', op.27a (1931)
  
  
• Suite from 'The Golden Mountains', op.30a
  
  
• Suite from 'Conditionally Killed', op.31a
  
  
• Suite from 'Hamlet', op.32a (1932)
  
  
• Suite for Jazz Orchestra No. 1, sans op. (1934)
  1. Waltz
  2. Polka
  3. Foxtrot (Blues)
  
  
• Suite from 'The Limpid Stream', op.39a (1945)
  
  
• Suite for Jazz Orchestra No. 2, or
  Suite for Variety Orchestra No. 1, sans op. (1938)
  1. March
  2. Lyric Waltz
  3. Dance I
  4. Dance II
  5. Waltz I
  6. Waltz II
  7. Small Polka
  8. Finale
  
  
• Original Suite for Jazz Orchestra No. 2, sans op. (1938)
  1. Scherzo
  2. Lullaby
  3. Serenade
  
  
• Suite from music for the 'Maxim Trilogy', op.50a, assembled by Lev Atovmyan in 1961.
  
  
• Suite from 'Zoya', op.64a
  
  
• Suite from 'The Young Guard', op.75a, assembled by Lev Atovmyan in 1951.
  
  
• Suite from 'Pirogov', op.76a, assembled by Lev Atovmyan in 1951.
  
  
• Suite from 'Michurin', op.78a, assembled by Lev Atovmyan in 1964.
  
  
• Suite from 'The Meeting on the Elbe', op.80a.
  
  
• Suite from 'The Fall of Berlin', op.82a, assembled by Lev Atovmyan in 1949.
  
  
• Ballet Suite No. 1, sans op. (1949)
  1. Lyric Waltz
  2. Dance
  3. Romance
  4. Polka
  5. Waltz-scherzo
  6. Galop
  
  
• Suite from 'Belinsky', op.85a, assembled by Lev Atovmyan in 1960.
  
  
• Ballet Suite No. 2, sans op. (1951)
  1. Waltz
  2. Adagio
  3. Polka
  4. Sentimental Romance
  5. Spring Waltz
  6. Finale (Galop)
  
  
• Suite from 'The Unforgettable Year 1919', op.89a, assembled by Lev Atovmyan in 1954.
  
  
• Ballet Suite No. 3, sans op. (1952)
  1. Waltz
  2. Gavotte
  3. Dance
  4. Elegy
  5. Waltz
  6. Galop
  
  
• Ballet Suite No. 4, sans op. (1953)
  1. Prelude
  2. Waltz
  3. Scherzo
  
  
• Suite from 'The Gadfly', op.97a, assembled by Lev Atovmyan in 1955.
  
  
• Suite from 'The First Echelon', op.99a
  
  
• Suite from 'Five Days, Five Nights', op.111a, assembled by Lev Atovmyan in 1961.
  
  
• Suite from 'Hamlet', op.116a, assembled by Lev Atovmyan in 1964.
  
  
• Suite from 'A Year as Long as a Lifetime', op.120a, assembled by Lev Atovmyan in 1969.
  
  

• Scherzo in F sharp minor , op.1 (1919)
  
  
• Theme and Variations in B flat major , op.3 (1921-22)
  for full orchestra
  Theme and Variations in B flat major, Op.3a: a reduction for piano by the composer
  
  
• Scherzo in E flat major, op. 7 (1923-24)
  for full orchestra with piano
  Reduction for piano by the composer
  
  
• Two Pieces (Overture and Finale), op.23 (1929)
  for the opera Der arme Columbus by Erwin Dressel
  
  
• Five Fragments, op.42 (1935)
  for small orchestra
  
  
• Solemn March, sans op. (1941)
  
  
• Festive Overture, op.96 (1954)
  
  
• Novorossiisk Chimes, sans op. (1960)
  Subtitle: "The Flame of Eternal Glory"
  
  
• Five Entr'actes from "Katerina Izmailova", op. 114a
  
  
• Overture on Russian and Khirghiz Folksongs, op.115 (1963)
  
  
• Funeral-Triumphal Prelude, op.130 (1967)
  or "Poem of Mourning and Triumph" or "Prelude - Stalingrad"
  
  
• October, op.131 (1967)
  Symphonic poem for orchestra
  
  
• Soviet Militia, op.139 (1970)